The 19th century "hivernant" Metis of the northwestern Canadian plains and parklands followed a way of life centered on communal bison hunting and frequent mobility. Contrary to what might be expected, excavations at five "hivernant" wintering sites consistently have recovered a variety of fragile, transfer printed, earthenware ceramics. In this context, ceramics, as a form of material culture, are seen to incorporate an ambiguity in function and meaning. In exploring this ambiguity, it is suggested that Metis ceramic use originates with an initial concern for female status and etiquette in Red River fur trade society. Ultimately, ceramics are argued to have assumed a much greater symbolic role. This role was integral in "hivernant" Metis social interaction and integration.